ABOUT ME
ABOUT ME
CONTACT US
MODELS
I build 3 models of classical guitars (Torres, Simplicio, and Romanillos) and 1 flamenco model (Barbero) by special request only. The prices for each model will vary according to the materials used and the level of complexity of the decorative elements - rosettes, purfling, carved headstocks, etc. Generally the Torres and Simplicio models are more costly due to their ornate marquetry, and in the case of the Simplicio, the carved ebony plate of the headstock. My goal as a builder is to create instruments with a rich tonal palette, yet possessing good balance and separation - powerful basses and clear, focused trebles… and, of course, great visual appeal.
For additional details on pricing, materials, and construction, please visit the pages for each specific model.
DESIGN
All of my instruments utilize a Romanillos-style heel to rib joint - not just the Romanillos model. Instead of the typical narrow slots cut in the heelblock into which the ribs are fitted, this type of joint uses 10mm wide slots cut at a compound angle. Once the ribs are fitted, they are tightly secured in place with glue and wooden wedges which are trimmed to the profile of the heelblock. This method offers a vastly superior type of joint - both tight and rigid. Properly executed, the wedges are completely unseen by any internal inspection of the instrument through the soundhole. Below are several pictures of the joint - the wide slots, both top and bottom, and the fitted ribs secured with glue and hammered-in wedges before the excess glue has been cleaned off and the wedges trimmed flush.
Unless a specific pre-made rosette is requested, my instruments all include hand-made rosettes (along with coordinated tieblock inlays and purfling as appropriate) that are individually inlaid into the soundboard one section at a time. My Torres and Simplicio models feature Torres and Simplicio replica rosettes respectively, while the Romanillos and Barbero models utilize a variety of styles, most of my own design or adaptations. Below are a few examples of my rosette-making and inlaying process.
